Knights of the Round Table, Is Playing on TCM on February 27 (USA)

Knights of the Round Table (1954) is playing on Turner Classic Movies on Fri, February 27, 2015 10:15 AM est. Closed captioned.

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Mel Ferrer, Ava Gardner, Stanley Baker, Anne Crawford, Felix Aylmer, Robert Taylor and Maureen Swanson.

This is a fine example of ’50’s style epics. Big name cast, colorful costumes,flashy swordplay, beautiful damsels and wild inaccuracies. The great Robert Taylor, who starred in several historical movies, is the honorable Sir Lancelot, a far more noble and pure portrayal than was recorded in all the legends, Ava Gardner is the stunningly beautiful Queen Guinevere, the ever dependable Felix Aylmer is the mysterious Merlin, Mel Ferer is a somewhat subdued and less than charismatic King Arthur. See it for the spectacle, costumes, word-play filled dialog and over the top Stanley Baker as Sir Mordred. Lancelot’s joust with Niall Mac Ginnis is very well done. 8 stars for pure eye filling entertainment value. Review by Wayner50 (United States) for the IMDB.

robert_taylor_1970_01_01 KnightsoftheRound

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Robert Taylor’s Detectives on DVD?

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I received this today from Vic:
Anyone who is a fan of The Detectives…send an e-mail to Shout Factory and suggest The Detectives Starring Robert Taylor.  They just produced WRKP in Cincinnati and it is awesome!
Go to this link and look for the Contact section at the bottom of the page.  There is already a place to suggest titles for them to produce.
www.shoutfactory.com

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The Gorgeous Hussy, 1936, Is Playing on TCM on February 26 (USA)

The Gorgeous Hussy (1936) is playing on Turner Classic Movies on Thu, February 26, 2015 07:15 AM est.  Closed Captioned.

It’s a story about Washington D.C. It’s about dirty tricks, sleazy operatives, scurrilous

Robert Taylor & Joan in "The Gorgeous Hussy," (Photo colorized)

Robert Taylor & Joan in “The Gorgeous Hussy,” (Photo colorized)

personal attacks and lies. The 2014 mid-term elections? No, The Gorgeous Hussy.

The story centers around Peggy O’Neill, Joan Crawford, an innkeeper’s daughter called

“Pothouse Peg,” for her politics and her men. The men are a list of Metro’s best—Robert Taylor, Jimmy Stewart, Franchot Tone, Melvyn Douglas and Lionel Barrymore. Robert Taylor dominates the first quarter of the picture with his enormous energy, his playfulness, his rapport with Crawford and his skin-tight costume. Taylor even sings and dances.

After Bow Timberlake’s (Taylor’s) heroic off screen death, things settle down. Andrew Jackson (Barrymore) dominates every scene he’s in. Beulah Bondi, as Rachel Jackson, is equally good. She won an Oscar nomination for her role. Joan Crawford is usually criticized for appearing in an historical picture because RT2329she was too “modern.” Here she handles her costumes beautifully, using her skirts to express a range of emotions. While her acting is fine, she is overwhelmed by the male contingent.

Franchot Tone, Crawford’s husband at the time, is quietly effective as Peg’s second husband John Eaton. Melvyn Douglas brings strength and intelligence to his role as Virginian John Randolph. Jimmy Stewart is wasted as Peg’s failed suitor. “The Gorgeous Hussy” is fun, sometimes moving and a reminder that political behavior wasn’t all that different in the 1820s.  Review by me for the IMDB.

 

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Robert Taylor at Home in Nebraska, October 1963

This gallery contains 9 photos.

To Robert Taylor, Nebraska was home. He was born in the tiny town of Filley and grew up in the somewhat larger town of Beatrice. Even after becoming an international film star, he kept his ties with friends and neighbors … Continue reading

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Quo Vadis, 1951, Is Playing on TCM on February 16 (USA)

Note:  This blog has reached 150,000 views as of today.  It was created in February 2012 and reached 100,000 last July.  Thank you so much to everyone who visits.  It is so rewarding to know that so many people still care about Robert Taylor.

ist2_3198263-decorative-swirl-motifQuo Vadis (1951) is playing on Turner Classic Movies on Mon, February 16, 2015 06:15 AM est.  Closed captioned.   If you haven’t seen this, you’ve missed something truly special.

RT6154The 1st century Roman Empire, the fire of Rome, early Christianity, martyrdom…this historical content was dealt with in many films before and after 1951. Yet, it is LeRoy’s QUO VADIS most viewers associate with the infamous period of Roman history, the reign of Nero (A.D. 54-68). Why? There are, I think, several reasons. One is, definitely, the source, a Noble Prize winner novel by Henryk Sienkiewicz. The Polish writer, being an acknowledged historian, contained detailed historical facts and a vivid fictitious story in his novel. As a result, QUO VADIS is a universal masterpiece, absolutely worth reading for anyone. But, since the film, though an adaptation of the book, skips many events or even characters, we may treat Mervyn LeRoy’s QUO VADIS as a separate Hollywood production. In this respect, the movie is also well known as a gigantic spectacle with great cast, lavish sets, crowds of extras, which constitutes a magnificent journey to ancient Rome, the Rome which was on the verge of becoming “Neropolis”. Then, a viewer does not have to know the novel and will enjoy the film.

THE STORY: If we consider QUO VADIS? as an entertaining movie only (which is, of course, a limited view), then anyone more acquainted with cinema will find much in common with Cecil B DeMille’s great epic THE SIGN OF THE CROSS (1932). Yet, comparison does not work that well concerning the perspective of QUO VADIS (1951). After deeper analysis of the films, a lot of differences occur. While DeMille’s film based on Wilson Barret’s play shows early Christianity in Rome, it foremost concentrates on the clash between the new religion and the Roman order being put in danger. LeRoy’s movie, since based on Henryk Sienkiewicz’s, focuses on the undeniable victory of Christianity. Marcus Vinicius (Robert Taylor) at first finds a new faith meaningless. He has reasonable arguments from the Roman point of view (what about slaves, conquest, enemy treating, etc). Yet GRADUALLY thanks to love for Lygia (Deborah Kerr) and the courageous faith of the martyrs, he shouts out with confidence “Christ, give him strength!” The story of Nero and “the imperial companions” is also much more developed. Yet, Nero (Peter Ustinov) is not only the one who heads for delicious debauchery but also wishes the crowd to have one throat that could be cut. He is an artist who burns Rome in order to create a song. He is a coward who blames the innocent for his own guilts. He is a cynic who collects tears in a weeping phial after the death of his “best friend” Petronius (Leo Genn). Finally, he is a lunatic who praises his “divine ego” and screams at his death seeing no future for Rome without him.

CAST: Anyone who has seen ancient epics must admit that most of them can boast great performances. Nevertheless, I believe that QUO VADIS is one of the top movies in this matter. Robert Taylor and Deborah Kerr are a gorgeous couple portraying a Roman leader and a Christian girl. Taylor naturally expresses a change of heart. Kerr appealingly portrays innocence, gentleness and true love. Leo Genn is excellent as Petronius, a man of art and elegance who is fed up with Nero’s “secondary songs and meaningless poems.” Peter Ustinov gives a fabulous performance as Nero combining all wicked features of his character. I also loved Patricia Laffan as lustful empress Poppaea with her two pet leopards. There is no milk bath of hers, she does not imitate Ms Colbert but Laffan’s Poppaea is foremost a woman of sin, a woman of lust, and a woman of revenge. The Christians, except for a number of extras, are portrayed by very authentic-looking actors: Abraham Sofaer as Paul and Finlay Currie as Peter…not more to say than that they look identical to the old paintings.

SPECTACLE: The movie is a visually stunning epic that can be compared in its magnificence to BEN HUR (1959) and even GLADIATOR (2000). There are numerous breathtaking moments: arena scenes, lions, bull fighting, triumph in the streets, and foremost the fire of Rome. We see the real horror within the walls of the burning city. A moment that is also worth consideration is Vinicius hurrying to Rome on a chariot being chased by two other men. When he comes nearer, we see the red sky… The authenticity is increased by a lovely landscape of Cinecitta Studios near Rome where the film was shot. For the sake of spectacle, I went once to see QUO VADIS on a big screen in cinema and felt as if I watched a new film made with modern techniques. It was a wonderful experience.

All in all, I think that QUO VADIS by Mervyn LeRoy is a movie that has stood a test of time. Although it is 55 years old, it is still admired in many places of the world. It’s one of these movies that are the treasures of my film gallery. Not only a colossal spectacle, not only great performances but a very profound historical content at which Henryk Sienkiewicz was best.

QUO VADIS DOMINE? Where are you going, Lord? These are the words that Peter asked Christ while leaving Rome. After the answer that Peter heard from his Lord, he turned back… in order to proclaim peace to the martyrs and to be crucified. Yet, where once stood decadent “Neropolis” now stands the Holy See where people yearly pilgrim to the tombs of the martyrs and where the blessing “Urbi et Orbi” is goes to all the corners of the world. Sienkiewicz writes about it in the touching final words of the novel. Yet, LeRoy changes it a bit in the film…

A small group of Christians who survived, including Lygia and Marcus, are on a journey. But after a short stop at the place where Peter met Christ, the journey seems to turn into a pilgrimage towards “the Way, the Truth and the Life”   Review by Marcin Kukuczka from Cieszyn, Poland for the IMDB


 

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Johnny Eager, 1941, Is Playing on TCM on February 15 (USA)

Johnny Eager (1941) is playing on Turner Classic Movies on Sunday, February 15, 2015 07:00 AM est. Closed captioned.

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Robert Taylor and Lana Turner in “Johnny Eager”

Directed by Mervyn LeRoy. Cast: Robert Taylor, Lana Turner, Edward Arnold, Van Heflin, Robert Sterling, Patricia Dane, Glenda Farrell, Barry Nelson. Slick MGM melodrama with convoluted plot about sociology student (and daughter of D.A. Arnold) Turner falling in love with unscrupulous racketeer Taylor. Heflin won Best Supporting Actor Oscar as Taylor’s alcoholic friend.(TCM)

Having only been familiar with Robert Taylor’s body of forgettable (humpf) work from the thirties (The Broadway Melodies, Camille, etc), seeing him in the title role of Johnny Eager 1972425_924571320890637_3709082624071824968_nwas stunning. Tom Hanks’s 180 degree turn from silly comedies to Philadelphia might be a modern day equivalent. Taylor steps into a role that would seem tailor made for Bogart, Cagney or Robinson, and does an arguably better job than any of them could have. Yes, Lana Turner is present, and yes, Van Heflin won a supporting Oscar, but Taylor owns this film.

Johnny Eager is one of the best films of the 40s, as well as one of the all time greats.
(Taken from a review by Justin Behnke on the IMDB).

 

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Ivanhoe, 1952, Is Playing on TCM on February 14 (USA)

Ivanhoe (1952) is playing on Turner Classic Movies on Fri, February 13, 2015 04:30 AM est. Closed Captioned

*NOTE*:A TCM programming day begins at 6:00am EST on the calendar day listed and runs to 5:59am EST in the morning on the next day. Hours listed at 12:00am to 5:59am EST in your reminder will be shown on the NEXT calendar day.

Ivanhoe was one of the most successful films of the year and brought in over $10 million at the box office, about $89,823,018.87 in 2015.

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Robert Taylor and Liz Taylor in Ivanhoe.

Wonderful movie! This film is an exciting adventure-romance which never once loses its pace or feel. Robert Taylor brings depth to a potentially dull lead character. Jean Fontaine is great as his love, the Lady Rowenna. Elizabeth Taylor, though, steals the show with her stunning portrayal of Rebecca of York! This film has aged very well and shows first-hand to a young generation just why Elizabeth Taylor was such a star.

Although this film is an extremely enjoyable adventure, it also has the guts to tackle some complicated issues and resolve them in a very non-Hollywood fashion. As Ivanhoe feels his love for the beautiful Rebecca grow will he defy convention and pursue the lovely Jewish girl or remain with the safe charms of the blond, Anglo-Saxon Rowena The answer is intelligently handled and surprising. This film is one of the greatest examples of the classic adventure.  Review by David Arbury for the IMDB

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